Archive for August, 2008

“Working the Paint”

1 comment August 23rd, 2008

I just finished working on a new painting for about 3 hours.  I started out with no “roadmap”, just putting paint on the canvas.  This is probably the most difficult time in a painting’s “life”.  It’s the time when the artist has no idea where he is going, what direction the work is taking.

The most important point at this time of the creative process is not to judge.  Give yourself a break.  Stop thinking  and saying “I’m terrible”, or “I can’t paint”, (although deep down these are your feelings).  Just “work the paint”.  Put paint on the canvas, get it down,  explore shapes and colors without expectations (easy to say).  The operative word here is trust, trust your ability and “work the paint”.

Then let it simmer on the “stove” for a day or so.  You’ll be a lot less critical of yourself, and you’ll see your work in a different light, a more forgiving one.  Then the work begins, but, by “working the paint”, you will have begun the most difficult part of the journey, and you’ll be well on your way.

Of course, never forget the most important thing is the process of painting.  Always remember Rosenberg’s statement (see earlier blog).  He hit the nail on the head, and this is where the joy is.

A Technique

Add comment August 4th, 2008

I have found that when I get “stuck” in a cul de sac (to use a dear friend’s words), one technique to get you unstuck is time.  Step out of the work for a while (even an hour or two), leave it.  Sitting there, just looking at the canvas,  puts the “idea machine” in a loop and one finds it difficult choosing the next “road”.  However, leaving the studio, doing something else for a while, and then coming back often works.  The artist gets off the cul de sac.  Try it.

The Creative Process

Add comment August 2nd, 2008

 I sit here trying to figure out where to go from here with my painting.  I have no “roadmap” to follow, just my instincts.  Anyone who has created “art” from nothing will understand the difficulty an artist faces when he reaches this point.  Just questions, no answers.   I’ve found waiting works,  bring the painting into a different enviroment.  Look at it long enough and I’ll discover a “road” to take, it may not be the right “road”, but, at least, I get moving again.  This is the important thing.

If I repeat this process again and again, I’ll expect to succeed.